Leicester Studio Launches Animated Short Film on Hoarding
– Leicester-based Kino Bino Studio has premiered its long-awaited animated short film, “Of All The Things” after six years of production
– It was shown at the Phoenix Cinema during Hoarding Awareness Week this May
– The project was funded by the BFI NETWORK, National Lottery, crowdfunding sources, and various sponsorships
– The film specifically shines a spotlight on the life-altering disorder of hoarding
Film Sheds Light on Hoarding Disorder
“Of All The Things” Enjoys Premiere Showing
Well, if you’ve been hoarding your patience for six whole years to see Kino Bino’s animated short, boy, does it pay off now! Animation takes time, my friends. Just like a good wine, it has to mature. And similarly, it looks like Bino Studio hasn’t been twiddling their thumbs during this animated hibernation.
You might think the world of 3D animation is all about cute Pixar flicks and state-of-the-art video games, but let’s not forget the power it can wield for social impact. Here, Kino Bino flips the script and uses it as a tool to shed light on hoarding disorder. Quite an unexpected twist, isn’t it?
Raise your glasses (and maybe clean out that cluttered cupboard while you’re at it) to celebrate the mighty arrival of this labour of love. Throw in the support from wonderful contributors like the National Lottery and BFI NETWORK, and what do you have? A brilliantly animated short film that’s as enlightening as it is entertaining. Bravo, Kino Bino, for making ‘hoarders’ not just about reality TV drama but a matter of sincere empathy. Roll on, reel change!
Here’s to more animated symmetry and sensitivity – all in 3D, of course. Who said animations were just child’s play after all?
Kino Bino Studio in Leicester celebrated the debut of their six-year project, the animated short film, Of All Things, at the Phoenix Cinema during the recent Hoarding Awareness Week.
With funding support from the BFI NETWORK, National Lottery, crowdfunding, and sponsors, Of All Things explores the emotional struggles of living with hoarding disorder through a mother-daughter narrative. Director Steff Lee drew from personal experiences to ensure the film addressed the stigma and taboo of hoarding disorder.
“My personal journey made me realize how shame can hinder seeking support. We aspire for our film to contribute significantly towards a more empathetic and comprehensive understanding of hoarding,” stated Lee.
Producer Bella Tomlinson, known for her contributions to popular animations Bob the Builder and Pingu, emphasizes the film’s objective. It not only educates about hoarding as a mental health issue but also provides a platform for novice female animators.
“Giving new talents an opportunity was one of the most fulfilling aspects of this project. For some team members, it was their first-ever film credit. Helping them kickstart their animation careers was extremely rewarding,” she mentioned.
Health editor at The Guardian, Andrew Gregory, was involved with the project through his production ensemble Brungerley.
“Hoarding disorder affects a large number of people globally, but it is seldom talked about or comprehended properly. We believe our film can help increase awareness, lessen stigma, and strike a chord with viewers,” he added.
The debut welcomed the film team, supporters from various backgrounds including hoarding organizations, people with personal experiences, housing associations, public service workers, educators, and local filmmakers.
A panel discussion post-premiere underlined the film’s educational potency. Advocates from the hoarding support sector acknowledged the animation’s potential as an impactful training resource and conversation catalyst.
Jo Cooke from Hoarding Disorders UK lauded the film’s emotional poignancy: “The film delicately uncovers the intricate issue of hoarding for individuals affected by it and their close ones. It brings to light the fact that hoarding is more about the individual and less about their belongings.”
The film effectively debunks the misconception that hoarding can be “cured” by purely seeking physical solutions,”
“Just removing the clutter is akin to telling an alcoholic to quit drinking. The trauma leading to the behavior requires understanding,” explained Mandi Simms, Ambassador for Hoarding UK.
The film has also been publicly endorsed by organizations including Clouds End CIC, Holistic Hoarding, and APDO.
The premier was a crucial event for Of All Things. The reaction and insights from the panel reinforced the singular ability of film to stimulate emotional resonance and initiate dialogues, in a manner that statistical information often fails to.
Kino Bino is now moving towards the next step of the project with festival submissions in line, more screenings planned, and educational training materials, aiming to extend the reach of the film to help more individuals who can benefit from it.
Of All The Things was realized due to generous support from BFI NETWORK, National Lottery, Holistic Hoarding, Accent Housing, WBR Group, DMU Engagement, The BICSc, Ford Fine Art, Ideal Services Group, Amplius, Cadent Gas, Northern Gas Networks, Jigsaw Homes, Peabody and Orbit Group.
Original article: https://www.skwigly.co.uk/short-animated-film-of-all-the-things-shining-a-light-on-hoarding-disorder-premieres/