The Sloth Lane: Strides of Tania Vincent from Animator to Director!
Tania Vincent’s Transformation
– The article shares the journey of Tania Vincent, a former contributor to Skwigly Animation Magazine, who has now made a name for herself in the animation industry.
– Not only has Vincent successfully transitioned from animator to director, she has also shown her prowess as a writer in the animation industry.
Notable Works and Achievements
– Known for her contribution to some animated films, Vincent has co-directed movies like “Scary Girl” and “Combat Wombat: Back.”
Continuing Success in the Industry
– Despite transitioning roles within the industry, Tania Vincent continues to gain success, hinting at a bright future in the field of 3d animation.
Funny Take:
And BAM! Out of nowhere comes Tania Vincent – the animator, the writer, and the director! Who would have thought that this former Skwigly contributor could juggle so many roles – and not just any roles, folks. We’re talking high-flying, big deal, animated-movie-making ones! From creating creepy ‘Scary Girls’ to orchestrating wombat warfare in ‘Combat Wombat,’ Tania’s been out there switching caps like nobody’s business in the 3D animation world. This is the ultimate glow-up story with a hint of animation, and we’re here for it. Start the drumrolls, everyone: Tania is here to animate, innovate, and demonstrate her talents!
Die-hard readers of Skwigly might recognize the name Tania Vincent, who wrote for the magazine years ago. Her journey has since progressed beyond that of a successful animator; she’s blossomed into a celebrated director and writer, with co-director credits on animated films such as Scary Girl and Combat Wombat: Back 2 Back.
Tania’s newest endeavour, The Sloth Lane, has awarded her the title of the first female director for an animated feature in the Australian film industry. The film, which earned recognition at numerous international film festivals last year, will officially be available to UK viewers on 14th February. The story features Laura, an exuberant sloth, and her slower-paced family as they move to bustling Sanctuary City from their once quiet lives to open a restaurant, all while grappling with personal challenges as a family.
I was fortunate to have the opportunity to interview Tania and learn about her journey since collaborating with Skwigly. She shared insights on a gamut of topics like the Australian animation industry’s renaissance in recent years, and the challenges of writing a story that touches on serious subjects often overlooked in family-oriented animated films.

Tania Vincent
Regular readers of Skwigly are undoubtedly familiar with your contributions as a writer. Having journeyed from those early days of your career to writing and directing your maiden feature, can you share some highlights from your career path?
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Breaking new frontiers as the first woman to write and direct an animated feature film in Australia is notable. How would you describe the current scenario for women filmmakers, particularly in the realm of animation, in Australia?
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What was the experience of sharing the directorial responsibility with co-director Ricard Cussó, who has directed most of Like a Photon Creative’s other movies?
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You earlier mentioned the film’s maturity at various instances, particularly in portraying the struggles of the matriarchal figure with her memories and the family’s adjustment to a new home. What were the significant challenges in portraying these moments, from the perspective of both the director and the scriptwriter?
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Are there more tales to be told with the sloth family? Can we expect a sequel?
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Firms such as Like a Photon Creative, Flying Bark Productions, and Ludo Studios have left their mark in films and television shows, such as Ludo’s Bluey, both domestically and internationally. From your viewpoint, how have they impacted the Australian animation industry?
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It appears you have had a hectic schedule over the past years – do you plan to take a hiatus anytime soon, or are there any upcoming projects you can share?
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The Sloth Lane premieres in UK theatres on 14th February 2025.
Original article: https://www.skwigly.co.uk/the-sloth-lane-interview-director-writer-tania-vincent/